Cosima Von Bonin at Raven Row

Cosima Von Bonin

October 9 – December 14, 2025

Upstairs Downstairs

Raven Row

London

This exhibition comprises a selection of work produced by Cosima von Bonin over the last 35 years. Despite the international attention she has received, this is her first exhibition in London.

Von Bonin came to prominence in Cologne during the 1990s, amongst a group of artists who were purposefully detached from the city’s burgeoning art market and produced work with apparent reluctance, embedding it in forms of sociality, performance and events. Since then, von Bonin has become a prolific producer of objects that are languorous, humorous and somewhat melancholic.

Upstairs Downstairs includes some of the artist’s early works, unseen for more than a decade, which describe the world as a stage or allude to liberation and escape. Predominant in the exhibition are objects and characters that have their origins in cartoons and the imaginative repertoire of childhood. With these more recent works, von Bonin draws viewers playfully into questions about feelings and desires.

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Cosima von Bonin (b.1962, Mombasa, Kenya) lives in Cologne. She has exhibited widely for the past three decades. Her most recent exhibitions include Songs for Gay Dogs, Mudam, Luxembourg (2024) and Feelings, Schirn Kunsthalle Frankfurt (2024). In the UK, she has exhibited at Glasgow International, with Who’s Exploiting Who in the Deep Sea (2017) and Loop #02 of the Lazy Susan Series, at the Arnolfini, Bristol (2011). Other significant exhibitions include Roger & Out, Museum of Contemporary Art, Los Angeles (2006); The Fatigue Empire, Kunsthaus Bregenz, Austria (2010) and Hippies Use Side Door, mumok, Vienna (2014).

From left to right: 36 Men’s Handkerchiefs (The Fächerfest Panel), 1995, Grässlin Collection, St. Georgen | Cut! Cut! Cut!, 2010 Meyring Collection | Installation view, Cosima von Bonin: Upstairs Downstairs, Raven Row, 2025 Photograph by Marcus J Leith
From left to right: 36 Men’s Handkerchiefs (The Fächerfest Panel), 1995, Grässlin Collection, St. Georgen | Cut! Cut! Cut!, 2010 Meyring Collection | Installation view, Cosima von Bonin: Upstairs Downstairs, Raven Row, 2025 Photograph by Marcus J Leith
From left to right: Therapie (#61), 2002, Meyring Collection | Let Them Eat Cake, 2008, Private collection, Vienna | Untitled (The Grey Bulldog With Box & Aprons), 2006, Private collection | Installation view, Cosima von Bonin: Upstairs Downstairs, Raven Row, 2025 Photograph by Marcus J Leith
From left to right: Therapie (#61), 2002, Meyring Collection | Let Them Eat Cake, 2008, Private collection, Vienna | Untitled (The Grey Bulldog With Box & Aprons), 2006, Private collection | Installation view, Cosima von Bonin: Upstairs Downstairs, Raven Row, 2025 Photograph by Marcus J Leith
Killer Whale with Long Eyelashes (Rhino* Version), *Therapeutic Toy Rhino by Renate Mueller, 1960s, 2018, Courtesy Petzel, New York | Installation view, Cosima von Bonin: Upstairs Downstairs, Raven Row, 2025 Photograph by Marcus J Leith
Killer Whale with Long Eyelashes (Rhino* Version), *Therapeutic Toy Rhino by Renate Mueller, 1960s, 2018, Courtesy Petzel, New York | Installation view, Cosima von Bonin: Upstairs Downstairs, Raven Row, 2025 Photograph by Marcus J Leith
Freuden und Leiden Eines Opiumrauchers (Grandville-and-the-decision-at-Grandville-Version), Raven Row Version, 2002/2025, Meyring Collection | Installation view, Cosima von Bonin: Upstairs Downstairs, Raven Row, 2025 Photograph by Marcus J Leith
Freuden und Leiden Eines Opiumrauchers (Grandville-and-the-decision-at-Grandville-Version), Raven Row Version, 2002/2025, Meyring Collection | Installation view, Cosima von Bonin: Upstairs Downstairs, Raven Row, 2025 Photograph by Marcus J Leith
Cosima von Bonin, Yves Saint Laurent, 1997. Courtesy of Raven Row.
Cosima von Bonin, Yves Saint Laurent, 1997. Courtesy of Raven Row.
Cosima von Bonin, The Italian (No Nose Version), 2019, Photo: Stefan Korte. Courtesy of Raven Row.
Cosima von Bonin, The Italian (No Nose Version), 2019, Photo: Stefan Korte. Courtesy of Raven Row.
Foreground, from left to right: The Bonin/Oswald Empire’s Nothing #06 (CvB’s Exhausted Tweed Rabbit & Purple Crab On Pink Table), 2010, Private collection | Thrown Out of Drama School, 2008, Collection Beth Rudin DeWoody | Background: John James (Loop #2), 2004, Meyring Collection | Installation view, Cosima von Bonin: Upstairs Downstairs, Raven Row, 2025 Photograph by Marcus J Leith.
Foreground, from left to right: The Bonin/Oswald Empire’s Nothing #06 (CvB’s Exhausted Tweed Rabbit & Purple Crab On Pink Table), 2010, Private collection | Thrown Out of Drama School, 2008, Collection Beth Rudin DeWoody | Background: John James (Loop #2), 2004, Meyring Collection | Installation view, Cosima von Bonin: Upstairs Downstairs, Raven Row, 2025 Photograph by Marcus J Leith.