The Perimeter is proud to announce a solo exhibition of Shuvinai Ashoona. Shuvinai Ashoona makes drawings which engage with the complexities of life, land and community in the Canadian Arctic, through fantastical motifs and modes of storytelling. The work interweaves scenes from everyday Arctic life with imagery associated with Inuit animism and shamanism. This is the first time Ashoona’s works will be shown in Europe since receiving a Special Mention by the awards jury at the 59th Venice Biennale in 2022, for her installation of six drawings in The Milk of Dreams.
Shuvinai Ashoona (b. 1961) is a third-generation Inuit artist who lives and works in Kinngait (formerly Cape Dorset), Nunavut, in the Arctic north of Canada. Stemming from a lineage of celebrated artists, Ashoona continues a tradition of working at the West Baffin Cooperative’s venerable Kinngait Studios. Founded in 1959, Kinngait Studios is a community owned cultural institution governed by an all-Inuit Board of Directors. Within the cooperative, the Ashoona family’s artistic traditions can be traced back to generations of stone carvers, painters and printmakers.
Through the depiction of daily life in Kinngait, often seen through a surrealist lens, this exhibition delves into Ashoona’s world as she narrates a vision of the Arctic landscape and community. As the artist says, “Many people don’t know what kind of a town it is and that we have some kinds of mountains around us. Since a long time ago there was a Kinngait, I couldn’t know that much about it way back then, but maybe I’d like the people curious to know that it’s surrounded by Nunavut and Arctic land and water.”
Primarily working with coloured pencils and drawing, her practice maps the topography of both history and contemporary Inuit life with a sensitivity and stillness that radiates throughout the terrain. The dreamlike landscapes of Ashoona’s monumental works articulate the relationship between scale and perspective as she captures an intimate view into life in Kinngait. These works exemplify the tension within the artist’s process overlapping with popular culture and tradition in the North. Transitioning between perception of the real and imaginary, Ashoona creates transportive imagery that moves between the natural world and psychological mind, approaching each subject as a poetic entanglement.
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