Imperceptible Figure at Hot Wheels

Imperceptible Figure

Curated by Jesper List Thomsen. Etel Adnan, Cerith Wyn Evans, Quinn Latimer, Marion Milner, MMXX, Morpholuce, Georgia Sagri, Ser Serpas, Cally Spooner, Marina Xenofontos

Hot Wheels

May 12 - June 22, 2024

In the absence of a superior image, which is arguably the effect of the body in representation, it becomes possible for other bodies to form. Bodies that don’t materialise per se. Bodies that come into being in the encounter. The notion that an authoring body and a reading body can come to be one, that they can combine with one another, through an empathetic transfer of experience — one that is based on an impartiality on behalf of the author first and the reader thereafter. Let’s imagine such impartiality extending to the totality of life, etc. In this meeting between sign and eye, foot and ear, tongue and throat, kidney and mountain, lover and loved, it is possible for bodies to form. Again. Bodies without an image, or bodies in the image of the distance they cover, of the text they read, of the collisions they share in.

Etel Adnan was a Lebanese-American poet, essayist, and visual artist who died in Paris in 2021. Cerith Wyn Evans is a Welsh conceptual artist, sculptor and film-maker who lives and works in London. Quinn Latimer is a Californian-born poet, critic and editor who lives and works between Athens and Basel. Marion Milner was a British psychoanalyst and writer who died in London in 1998.MMXX is a Milan based artist-led project founded by Emanuele Marcuccio and Daniele Milvio in 2020. Morpholuce is a Turin based light designer and light shop by Carmelo Minardi. Georgia Sagri is a Greek artist and activist who lives and works in Athens. Ser Serpas is a Los Angeles born artist who lives and works in New York City. Cally Spooner is a British-Italian artist, writer and choreographer who lives and works in Turin. Marina Xenofontos is a Cypriot artist who lives and works in Athens. 

Installation view. Photography by Stathis Mamalakis
Installation view. Photography by Stathis Mamalakis
Georgia Sagri, Fresh Bruise, 2018, Laserprint on 3M vinyl sticker, 195.58 x 142.24 cm . Courtesy of the artist and The Breeder, Athens. Photography by Stathis Mamalakis
Georgia Sagri, Fresh Bruise, 2018, Laserprint on 3M vinyl sticker, 195.58 x 142.24 cm . Courtesy of the artist and The Breeder, Athens. Photography by Stathis Mamalakis
Installation view. Photography by Stathis Mamalakis
Installation view. Photography by Stathis Mamalakis
Etel Adnan, Sans Titre, 2017, Oil on canvas, 33 x 24 cm. Photography by Stathis Mamalakis
Etel Adnan, Sans Titre, 2017, Oil on canvas, 33 x 24 cm. Photography by Stathis Mamalakis
Installation view. Photography by Stathis Mamalakis
Installation view. Photography by Stathis Mamalakis
Marina Xenofontos, Children of builders, grandchild of miners , 2021, MDF wood, rejected Monobloc chair (white, brown), 86 x 40 x 40 cm . Courtesy of the artist and Hot Wheels Athens, London. Photography by Stathis Mamalakis
Marina Xenofontos, Children of builders, grandchild of miners , 2021, MDF wood, rejected Monobloc chair (white, brown), 86 x 40 x 40 cm . Courtesy of the artist and Hot Wheels Athens, London. Photography by Stathis Mamalakis
Installation view. Photography by Stathis Mamalakis
Installation view. Photography by Stathis Mamalakis
Installation view. Photography by Stathis Mamalakis
Installation view. Photography by Stathis Mamalakis