HER at Radio Athènes

Marietta Mavrokordatou, Marysia Paruzel, Josephine Pryde, Esther Theaker, George Tourkovasilis

September 16 – November 7, 2025

HER

Radio Athènes

Athens

My love for variations and for a diversity of terms for a single phenomenon. The multiplicity of focuses. Bringing distant things closer without indicating the intermediate links.

- Mikhail Bakhtin

‍––

Marysia Paruzel (*1993, Warsaw, Poland). Lives and works in New York. She studied at the Städelschule Hochschule für Bildende Künste, Frankfurt, and Knust, Kumasi,

Ghana. Selected exhibitions include: Telepathy Curating presents: Teases and Synthesis; Empty Threats, Vienna Love and Anxiety Reality Paradoxes (curated by Kristoffer Cezinando Karlsen and Josef Strau) City Galerie Wien and Layr, Vienna (2025); Svetlana, Can, Vienna; How To Make It In America, Jenny’s & Emberly Furniture, New York (2024); Human Bites, 4649 and Galerie Tenko Presents, Tokyo, Japan; Flâneuse, Gaylord Fine Arts, Los Angeles (2022); 2B3Btender, Le Bourgeois, London (2019); Rose is a rose, Piktogram, Warsaw (2015).

Marietta Mavrokordatou (*1996, Nicosia, Cyprus), lives and works in London and Athens. She studied at the Camberwell College of Arts, and the Slade School of Fine Art, London. Recent exhibitions include: Repeatedly failing to align with light, Camera Austria, Graz (curated by Leon Hösl and Magdalena Stöger); In a Bright Green Field, Benaki Museum, Athens (curated by Gary Carrion-Murayari); 11Parthenon, Nicosia (curated by Andre Zivanari and Haris Epameinonda); Sudden arrest between two movements, Final Hot Desert, London (2025); Image as Trace, Brunette Coleman; GIRL, Brunette Coleman, London; TOUR LIFE, Radio Athènes, Athens; THE ALREADY PICTURES, Akwa Ibom, Athens; Scenario, wieoftnoch, Karlsruhe (2024 KM S/S 2024, Akwa Ibom, Athens; Ah, This! (curated by Helena Papadopoulos), Felix Gaudlitz, Vienna (2023); GIRL, Thkio Ppalies, Nicosia; Our Misfortune, A Thousand Julys, Nicosia (2022).

Josephine Pryde (*1967, Alnwick, UK). Lives and works in Berlin. She studied at Central St. Martins, London, and the Wimbledon School of Art. Selected solo exhibitions include: How Frequency The Eye, Haus am Waldsee, Berlin (2024); The Vibrating Slab, Art Institute Chicago; Taylor Swift's 'Lover' & the Gastric Flu, Reena Spaulings Fine Art, New York (2022); The Flight That Moved Them, Gandt, New York (2021); Lapses in Thinking by the Person I Am, CCA Wattis, San Francisco, CA (2015). Work in public collections: The Art Institute of Chicago, Chicago; MUDAM/ The Contemporary Art Museum of Luxembourg; Mumok / Museum Modernern Kunst Stiftung Ludwig Wien; Fonds national d’art contemporain, FR ; FRAC Lorraine, FR; Stedelijk Museum, Amsterdam; Tate Britain, UK; British Council, UK; The Metropolitan Museum of Art, New York; Museum of Modern Art, New York; MOCA, Los Angeles. She is Professor for Contemporary Photography, University of the Arts, Berlin.

Esther Theaker (*1985, Hastings, UK). Lives and works in London. She studied Film at London College of Communication (UAL). She has produced editorials for Double, POP, ALL–IN, Self Service, Marfa Journal, D la Repubblica, Harper’s Bazaar France, Purple, Arena Homme+, and The Gentlewoman. She has also collaborated with fashion houses including Miu Miu, Chloé, Lanvin, and Hermès.

George Tourkovasilis (1944-2021). Lived and worked in Athens and Paris. He studied at the School of Law, National and Kapodistrian University of Athens, Greece. Recent exhibitions include: George Tourkovasilis at Paris Internationale with RECORDS (2024); Ah, This! (curated by Helena Papadopoulos), Felix Gaudlitz, Vienna; Stay Hungry, Ermes Ermes, Rome (2023); The Night, Sleep (curated by Helena Papadopoulos), Radio Athènes; Spent, (curated by Maya Tounta), Akwa Ibom, Athens; Strange Switch, (curated by Andreas Melas), Melas Martinos (2022). A monograph designed by Julie Peeters, published by BILL, edited by Helena Papadopoulos, Julie Peeters, Maya Tounta will be launched at After 8 Books at Paris Internationale, Saturday 25/10, at 4 pm.

Installation View, HER (2025), courtesy of the artist and Radio Athènes. Installation photos by Yiannis Hadjiaslanis.
Installation View, HER (2025), courtesy of the artist and Radio Athènes. Installation photos by Yiannis Hadjiaslanis.
Installation View, HER (2025), courtesy of the artist and Radio Athènes. Installation photos by Yiannis Hadjiaslanis.
Installation View, HER (2025), courtesy of the artist and Radio Athènes. Installation photos by Yiannis Hadjiaslanis.
Installation View, HER (2025), courtesy of the artist and Radio Athènes. Installation photos by Yiannis Hadjiaslanis.
Installation View, HER (2025), courtesy of the artist and Radio Athènes. Installation photos by Yiannis Hadjiaslanis.
Installation View, HER (2025), courtesy of the artist and Radio Athènes. Installation photos by Yiannis Hadjiaslanis.
Installation View, HER (2025), courtesy of the artist and Radio Athènes. Installation photos by Yiannis Hadjiaslanis.
Installation View, HER (2025), courtesy of the artist and Radio Athènes. Installation photos by Yiannis Hadjiaslanis.
Installation View, HER (2025), courtesy of the artist and Radio Athènes. Installation photos by Yiannis Hadjiaslanis.
Installation View, HER (2025), courtesy of the artist and Radio Athènes. Installation photos by Yiannis Hadjiaslanis.
Installation View, HER (2025), courtesy of the artist and Radio Athènes. Installation photos by Yiannis Hadjiaslanis.
Installation View, HER (2025), courtesy of the artist and Radio Athènes. Installation photos by Yiannis Hadjiaslanis.
Installation View, HER (2025), courtesy of the artist and Radio Athènes. Installation photos by Yiannis Hadjiaslanis.